No longer having a television at home I occasionally, stuck in a hotel room overnight, will turn to the luminous box to see who is speaking and listen to what the conversation is about.
The man-eating-machine theme came to Chaplin at age 12. Apprenticed to a printer, he found himself dwarfed by a huge printing press. “I thought [it] was going to devour me.” As an adult he reframed this view. Charlie is a trickster (playfulness is the essence of monkey-wrenching), and the machine has swallowed something indigestible, giving it indigestion. In the second lunch-time feeding, all but the mechanic’s mouth has been immobilized. If in the earlier scene, the machine-men had tried for force their workers to ingest progress, on this lunch break, Charlie has engineered a bit of humble pie. Work and the irascible mechanic’s mouth are brought to a standstill. Soon this scene devolves into something like a loving son feeding his invalid father. That he first attempts unsuccessfully to feed the mechanic through an oil funnel, and then successfully through the opening of a whole cooked chicken, seems to suggest the need for both mechanic and machine to be brought closer to natural processes.